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Minister Gil

Minister with birimbao
Gilberto Gil, musician, minister of culture in Brazil, and his songs



"For a citizen who loves his people who are interested in social problems, which is committed to change things, be able to play a political role is a unique opportunity not to be missed. For this to be the minister of culture of Brazil for me is my honor. " With these words, Gilberto Gil, one of the most famous Brazilian singer-songwriters in the world, ended her concert Sunday July 3 at Teatro Dal Verme in Milan, for the review Milanesiana. Viewers have long resisted nailed to chairs. The music of the Minister of Lula has gradually won everyone over, dragging the minds and hearts. The final was a triumph of improvised dance. All rise, transported by the rhythms of birimbao (or berimbau), percussion, guitars and accordion.

Bahian spirit. "I'm the minister for eleven months a year and a month into the shoes of the musician and song, sound, dance with my band. All this at the expense, of course, of my music. The composers of the time is pressing. We have spent two and a half years that I compose a new song, alas, but my political engagement with Lula is so exciting, fulfilling, so I'm happy, "said Gil, a true idol for Brazilians, and especially for Bahians. Gilberto Gil was in fact born 63 years ago in Salvador, the capital of Bahia state, where monuments and streets of the recall, call upon him, remember him to every passerby. Gil, star of the musical renewal of his country, is one who has given the go-along with Caetano Veloso at the birth of "tropical", a movement that started from the bossa nova of Joao Gilberto and Antonio Carlos Jobim to recover parts of the Bahian folk music and other languages \u200b\u200bof North-east. His career is an exceptional style that is constantly changing. He received eleven gold records, five platinum records and his album has sold over five million copies. But what is more important is that Gil is the symbol of redemption of the Negro, is the emblem dell'afrodiscendente speaking of equality, peace and solidarity. And 'the artist of no barriers, prejudices. And 'the man who had to flee his country persecuted by the dictatorship that wanted gagged and silent. And 'one who knew Hendrix and the Beatles, who has traveled the world giving and receiving charisma, intelligence, talent, and everywhere singing of slaves, negros, freedom, and redemption of inequality of poor people. Gil sings the favelas, the barracks for the sparkling joy of life and the ability to smile. His music tells the rainbow that the Brazilian people hiding in blacks big eyes, full of pride and determination, strength and beauty.

A symbol of change. "When Lula asked me to become a minister I knew it was time, finally I could put my willingness to communicate with the public at the service of my people. The Brazilian minister of culture is the one who knows how to communicate to all, without distinction, without prejudice. And choosing someone like me, of African descent and member of the middle class is a real sign of change, a clear and important example, adds. And during the concert singing in any language, plays the music of different cultures together with skill and unique sound. Than from a Chuck Berry comes to a poignant Imagine by John Lennon, the universal message. And through samba and bossa nova Brazilian Gil touches the Latin American tango, citing the Uruguayan legend that attributes the origins of the sound of a percussion come together with the slaves deported from Africa. And then the tribute to Bob Marley, who has revolutionized the melody, rhythm, especially "the one who brought the message of peace, respect for others, the revolt of the poor around the world. He gave me hope, that brought light and solidarity those who did not even have to feed themselves. " And then he sings in English, English and French. His La lune de Gorée is a manifesto of equality, is a scream of pain, a complaint horrendous slavery. Written by Captain, is in French because it was dedicated to the Senegalese, colonized by France and deported en masse for centuries. "The moon rising on the island of Goree is the same one that gets all over the world. But the moon for Gore has a deep color, which does not exist anywhere else in the world. And 'the moon of the slaves. The moon of the pain. Yet the skin of the bodies of Gore is the same leather that covers all people in the world. E ' the skin of the slaves, a flag of freedom. "

manifesto. The government program of the Ministry of Culture of Brazil is so exactly in his songs speak the same language, live in a world without barriers or conflicts, enjoy equal rights for all and practice a universal religion. Holy War in his thinking is clear. Born in the cradle of religious syncretism, the axé in Salvador (sacred objects of the deities) and Catholic iconography, Gil grew up with a strong sense of religion, which is required, the holy one to sell and to buy thanks. That is the city where the condomblé ritual of African origin to appease the parenchyma of the Orisha, goes hand in hand to the Catholic Mass, is the place to offer sacrifices to the gods, and immediately after you hundreds of communion in Catholic churches scattered everywhere is the place where the profane to the sacred zone behind culture, society, the everyday. So his thinking is unmistakable: "The name of God can be Oxalá, Jesus, Tupã, Muhammad, and there are many more different and, yes, but dreams the same."

The perfect closed. And if you think that the song chosen for the encore, to close in the general jubilation barracos Nos da Cidade, the message Gil is soon revealed. Written in 1985, is the voice of the people of the barracks against the corruption of local politicians who promise, promise, and never keep. And 'the minister who sings "In the barracks of the city, no one has the illusion in the power authority to take a decision [...]. The governor promises but the system says no. The gains are very large, but no one likes to open his hand. Even a small part would already be the solution. But the wear of those people has become a distortion. Oh, stupid people. Oh, hypocritical people. " What is the answer to all allegations of corruption that the Lula government is trying to address? Whether it is a reminder that he is part of a Government of people who have made fighting corruption a way of life?

A persidente council as a minister as Lula and Gil are truly a turning point and a breath of hope for the people of Brazil (or rather the weak Brazilian). A minister came from the native African people and especially loved by all, if can not fall in the web of corruption in Brazilian politics than anything else is powerful and widespread almost everywhere, this could have great impact both nationally and for all developed countries .... Simlav

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favelas and young people. The native Amerindian

the favelas in Rio

For those unfamiliar with the geography of Rio de Janeiro is well say that the city at its center, the largest urban forest in the world (da Tijuca forest).
In the last 30 to 40 years have developed an enormous amount of favelas (shanty communities because they say it is a derogatory term) in marginal areas, especially along the slopes of the hills in the same forest.



A myriad of favelas. In common parlance of Rio, said morro (hill) has become synonymous with the favela. In Rio there are 701 favelas, home to some 1.5 million inhabitants and the municipality of Rio has 5.5 million. It means that one person in five lives in this type of situation.
The public authority from the beginning was not interested and left the favelas guided by the logic of ghetto blacks and poor, following the philosophy of "fend you, just that they are far away." But in doing so has allowed each community to organize itself alone. Not being ruled areas where the law has become progressively domain of trafficking, especially of drugs.

City of God. A good movie to understand some things about the urban situation in Rio and the Brazilian movie "Cidade de Deus" and if you have not seen recommend it.
In the film we see how it is organized people who sell drugs. Little by little, a bit 'at a time, trade has occupied progressively spaces and the gang war for control of the areas invaded everyday life.
Currently there are three factions (called phalanges) administering the drug trafficking in Rio: Commando Vermelho (the oldest), Terceira Command, Amigos dos Amigos. Each favela in Rio belongs to one of these three groups and who belongs to a favela favelas can drive into the same group.
The favelas are like closed cities, enter only those known and those who live there, all others are enemies or potential cops.

Enemies to the skin. Since the members of rival factions are considered among their mortal enemies, which happens when people are in prison (both traffickers thieves that municipalities) are all compared to the traffickers and must decide which group they belong and go to the area of \u200b\u200bthat group. Even those who committed common crimes and criminal factions not a member of the police is obliged to choose to identify with a faction. Absurd.

figures not words. To summarize the described just look at the UNESCO report on deaths from firearms in Brazil. Over the past ten years, these victims outnumber those registered in 23 wars, rising to second place after the civil wars in Angola and Guatemala.
During this period, 325,551 people were killed, an average of 32,555 deaths per year. The data are part of the study: "Mortes por Matadas armas de fogo no Brasil 1979 - 2003 "which was released June 27 by the UNESCO representative in Brazil, Jorge Werthein and the President of the Federal Senate, Renan Calheiros, the Senate, in Brasília (DF).
This study aims to raise awareness of Brazilian society about the importance of disarming the population and the approval of the referendum to restrict the free trade of firearms, which must be approved in those days.
The study reveals that between 1979 and 2003, firearms have killed 550 000 people. Which means 35 thousand people a year, 100 per day.
Research confirms that young people between 15 and 24 years are the main victims: 206mila. Only in 2003, 41.6% of cases were young.

Young, sad record. The research was conducted on the basis of data from the Mortality Information System of Brazil (DATASUS health ministry) and then compared with international data. E 'was compared with other types of deaths (accident, illness, etc. ..). Moreover, these deaths were compared with the number of victims of 26 armed conflicts in 25 countries in the world at different times.
What is impressive is that in Brazil, even without being a religious conflict, a war with a neighboring country or an internal armed political struggle, you experience more deaths than firearms for nations affected by a real war.
To promote a culture of peace in Brazil, therefore, must necessarily pass to the reduction of weapons in circulation.

What solutions? From this brief summary, which I presented to be able to understand how the situation in Brazil is really dramatic.
When young people here in Rio speak of Iraq to describe the situation in which they live is not a joke or a forced comparison.
These things have been reported often, even in the various events and walks for peace, but we know that reality is complicated and many factors are at play.
The solution, therefore, it seems impossible.

source: website.




Another serious problem is one of the favelas, a matter that, until there documents we idea entirely fictitious.

The favelas are not, as you might think, but logistical arrangements are actually political TRUCTURES consolidated over time because a national policy of self-interest.
is not a purely economic conditions for which poor people do not have this arrangement, it is instead the result of a marginalization that eventually led to the formation of and internal policies that go against the autonomous national law, and then today you can not find solutions.
really recommend the film City of God that truly opens our eyes to the situation of the Brazilian working class but also shows us how that society is very complex and perhaps incomprehensible to us.

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The question Amerindia

In 1992, Brazil obtained a loan of two hundred ninety million dollars to ensure the protection of the Amazon rainforest and the Indian population. In theory, the rights to lands that the Indians live have always been recognized by the Brazilian government, at least on paper. In fact, the massacre of Amerindian populations has always enjoyed some protection from the government in defense of the economic gains from land, mines and deforestation. The recent approval

(1996) of a bylaw that restricts the rights of the Indians on their lands (in fact they simply have a beneficial interest granted by the Federal Government, the sole owner of the whole territory of the Amazon) has provoked ' invasion 80% of the 276 protected areas in the country. One of the areas most at risk is also the most isolated Yanomami land. Distributed on a large area of \u200b\u200bforest rich in mineral resources, on the border with Venezuela, the Yanomami have retained most other indigenous peoples in their traditional culture. Part of this population was eliminated from gold-diggers and the military forces of the government who have always justified the killing with the "question of national sovereignty." The greatest danger is the specter of nationalism, "military" that tightens when the pressure of international environmental groups or "interference" by Amnesty International can not be controlled by the Brazilian government (like in the years of the presidency of Jose Sarney, since 1985 1989). The urgency of a solution to the Indiana goes hand in hand with the increasing integration of Brazil into the world economy: foreign investment and domestic can only increase the need for expansion of some activities that are very profitable from the forest.

would be the true inhabitants of RIDITT and instead are considered a nuisance for the people who settled there, a nuisance in one way or another to be eliminated and, unfortunately, I believe that if not today, however, these populations will soon their end because, in our world, who does not do no good.
This is what I call the disease of money.

read news about the life situations of our contemporaries makes us reflect on human nature unchanged from its origins to the present .... simlav.

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Street children in Brazil.

BRAZIL / Meninos na rua by rua and maninos

Between 1991st of 1993 in the streets of Brazil have been killed about five thousand children (more than 4 per day). The statistics are not however able to provide precise data on the number of children living on the streets, the number is between three and eighteen million.

Despite the efforts of many international organizations, agencies governmental and private agencies have put forward and implemented many projects for recovery and assistance in such areas of Brazilian cities, the "death squads" continue to work tirelessly "cleaning". After the massacre of eight children in front of the Candelaria Cathedral in Rio (July 1993), one of the most publicized cases but not among the most fierce, it was found that the agencies which addresses the carioca elite for its own security shall be settled mostly by state police as a second job that have the status of children's killer. In fact, as shown by the news, they are often free to perform the same task even bloody "in service". The strategies adopted by organizations relief are targeted primarily at street children (street children), those that live on the streets day and night, working as shoe polish or window cleaner, in most cases abandoned by their family or forced to flee. But there are millions of children, the meninos na rua (street children in), which preserve family ties and are forced to work for your family. The boundary between high-risk children, children in the street or street children is still very weak and it is estimated that the total number is thirty million people (one third of whom do not get to diciottesmo years old).

The problem of street children has been the center of my high school final examination and has always interested me, so much so that my interest would be part of a organiggazione working in the field, especially those that enhance the quality of Brazilian children and channel their energies to creating football teams, laboratories, circuses, or better yet, those teach him some useful work (in Brazil by the maninos rua culture does not give the bread and if you do not want the ruby \u200b\u200bmust teach him to have it!) this is my idea, expect your ..... Simlav

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WHAT 'THE CAPOEIRA?

What is Capoeira ?

Date Birth: XIV century
Location: Brazil
Invented by: African Slaves
Samples: Nascimento Grande, Manduca da Praia, Mestre Bimba (Manuel dos Reis Machado), Master Pastina (Vicente Ferreira Pastinha), Mestre Waldemar , Mestre Eziquiel


game, fight, dance, music, ritual: the capoeira is one of the highest artistic expressions of Afro-Brazilian culture, as well as being one of the most exciting. Founded as a defense of African slaves against the Portuguese in Brazil and developed as a street art in recent years has become a sport for all purposes.

mysterious origins
The origins of capoeira are still obscure and controversial and are a fascinating subject of study for ethnographers, history, myth and folklore are intertwined, often without distinction. It is known that Mucupe, an ancient people of Angola, had among their initiation rites that dell'N'golo (or "dance of the zebras," is still practiced), a fight between men to win a wife. Another theory defines the capoeira as a mixture of dance, music and struggles from different African cultures. Supporters of origin Brazilian capoeira associate instead of a dance performed by slaves, whose purpose was to imitate the movements of the proud capueira Spix, a kind of partridge.

But most likely the true origin is twofold. In the sixteenth century the Portuguese transferred power to 4 million Africans from Congo, Angola, Mozambique and Guinea to Brazil, to exploit them as slaves on the plantations of coffee and sugar. Over the years, some groups managed to escape and set up of independent communities. It is in this context that was born around 1770 the kingdom of Quilombo dos Palmares, the most impregnable village of ex-slaves: the governors of the Portuguese troops, many armed with muskets, were regularly driven away by the incredible technique of unarmed combat practiced opponents, precisely the capoeira. Legend has it that

to invent movements was the village leader, Zumbi, inspired by ancient African arts. The word "capoeira" is safe instead of Brazilian origin: meaning "grass" and pointed to the fields where the slaves hid.

symbol of freedom
Precisely because of the victories of the slaves, the art of capoeira was banned by the Portuguese settlers. He thus became the symbol of freedom of ex-African populations, the practice of hiding in the plantations, introducing dance music to mask it. Over the years the practice was spread even among the bodyguards of the powerful and one of the worst offenders of Brazilian cities. In the second half of the government hired a group of capoeira to fight the militia of the neighboring countries that threatened the coast of Brazil: their successes were echoed throughout the country, which proclaimed them heroes, until the abolition of slavery in 1888.

Capoeira, more and more popular even in cities, however, remained banned, cloaked in an aura of criminality and death. The security forces ruthlessly persecuted capoeiristas in order to eradicate the practice, but without success, partly because a good expert in capoeira could stand up to four armed policemen.


Dissemination
In 1937, President Vargas bade a demonstration Mestre Bimba, the most important teacher of the time: a performance so impressed the president that the ban was lifted. Mestre Bimba capoeira codified the rules of the modern form by introducing the "regional" (faster and more acrobatic than the original, the 'Angola') giving rise to the spread of the practice. In 1941 Mestre Pastina, nicknamed the "Philosopher of Capoeira", opened a school of Capoeira Angola seguitissima for the first time he taught art with a method. Girls and Pastina defined the sequence of figures of modern capoeira, still observed the practitioners.

The success was such that in 1974 the defense technique invented by African slaves was recognized as a national sport in Brazil and has since been taught in grade schools, universities and military academies, is considered a martial art from educational value, cultural and artistic heritage. Singers such as Gilberto Gil and Caetano Veloso and writers like Amado Joege have celebrated grace.

Since the late eighties, the Brazilian dance-fighting began to spread throughout the world, with the opening of schools and associations, to become a cultural phenomenon. At a competitive level capoeira is still in its infancy: only occasional meetings are held between nations for demonstration purposes.

Capoeira in Italy In Italy
capoeira came to the early '90s, with performances on the streets of the city Brazilian groups. Thanks to the initiative of some teachers in Brazil, within a decade, schools have been created offering different versions of the ancient and spectacular martial art.

Rules: The aim of the game
Capoeira is a means of defense and attack by the extraordinary rapidity of the movements. Physical contact is strictly forbidden: the aim is not to land the opponent, but get close to him understand that, if you wish, you could hit. By definition Capoeira does not fight or dance, but you play. The capoeiristas considers the other an enemy combatant and a friend at the same time.

The roda
you have a group of capoeira in a circle (roda) and start playing with the rhythm of the song and traditional musical instruments: berimbau (a bow on a string), pandeiro (small drum), atabaque (percussion instrument), agogo (bell). Two athletes entering the circle and begin to address virtually the movements of the warrior dance, slowly at first, then, following the increasing pace of the music, faster and faster. Jumps, kicks, stunts and destabilizing movements continue until the end of the rate decided by the teacher, to enabling the contenders to put into practice the most spectacular figures. Besides the gift of self-elasticity is required to avoid accidentally hit your opponent with deadly blows.

shots
Capoeira uses a fairly large number of hits. The basic position is called the ginga (swing), which allows, through graceful movements and models, to distract the opponent. A key figure is made by Austria (star), which includes movements such as the disorienting rasteira (a form of tripping) and traumatizing as the cabeçada (tested).

Capoeira Angola, the oldest form martial art, is characterized by slowness of movement and the proximity of the combatants on the ground (angoleiros). Often movements are practiced on the hands and brush her with the legs. Capoeira Regional, the most recent codification, providing for the standing of the protagonists and a number of other much more dynamic and fast, includes sequences much more dangerous and spectacular dell'angolana. There is also a version performed with a knife.


Nicknames
When in Brazil, capoeira was still illegal for the police was very difficult to control the former slaves. In addition to unbeatable in the fight, the Brazilian capoeiristas out of control office: were in fact known only to their nicknames and no one knew the true identity. Also had two or three different pet names, which confused even more law enforcement. Even today all the great capoeiristas have maintained the habit of the nickname.


They said
"Capoeira taught me discipline, intelligence, friendship and respect for people. All the movements that I learned helped me to behave in life. Capoeira is a philosophy of life. "
Mestre No (Norival Morreira de Oliveira), a master of capoeira

Source: Encyclopedia omnia2004

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When a man is free?

When a man is' FREE?
the window I see cars passing by, the faces of people driving, there is no emotion, looked straight ahead and maybe in the desire to escape.
Together we put our energies to meet the needs of the company are endless.
But where is the limit to all this? How far is fair to ask from a person?
I do not like this, I do not like the exploitation that has been accepted as natural, I have too many questions, no answers, but one certainty: love and dream of freedom, I want to see how far it is lawful and fight because one day become a reality.
not want to see in the faces of people driving, lack of emotion, looked straight ahead, I wish they could escape.
Everyone has the right to live free but not free to do, free to think, speak, and to have a conscience.
Who is free has no limits, his mind is free from its chain and nothing more is impossible, this is the real progress that could save us from this regression that has been going now for a century.
You were not made to live like brutes.


SIM-LAV PAIN
this short text I wrote a year ago, in V than a week of bad weather where I was struck by the faces and I think absent unhappy people standing in queue that seemed to want to disappear from reality, this situation has put me on such a sadness that has taught me what I want more ...


... what do you think about it?

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matter of priority.

What is more important:
commit a lifetime to try to interpret the reasons of existence, or refuse to issue a limited float, by inertia, at a water we do not know?
you the answers ... ... Simlav